Seno's Soapbox

#1: Echoes in Eternity


    So the Academy Awards nominations are in, and I couldn't be more pleased.  Gladiator, one hell of a movie if I do say so myself, tops off the list with twelve nominations, including Best Picture.  Crouching Tiger, Hidden Dragon follows closely with ten, also with a Best Picture nod.  Bravo, Oscar; for once, the Academy didn't bow to the wishes of the self-indulgent, overly-pretentious crowd of critics who inevitably attempt to ram would-be-art films like Chocolat or Billy Elliot down my throat.  Instead, these bastards our forced to whine incessantly about the "weakness" of this year's movie selection.
    The main knocks I hear against Gladiator are one) that it made too much money (does that strike anyone else as counter intuitive?) and two, that it doesn't star Tom Hanks (these days, a movie can win an Oscar six months in advance just for having Hanks read the fucking script).  I'm not exactly sure why there's this strange stigma against crowd pleasers in the Academy; it's not like anyone is suggesting that Coyote Ugly be nominated for Movie of the Year.  But just because Gladiator made a boat-load of money and was enjoyed by nearly everyone who saw it, it's automatically less palatable to the fucks who are in charge of handing out those shiny gold thingys.  To hold popular appeal against a well-written, well-directed (and no, I don't think Scott should get the Oscar), and well-acted movie is simply ludicrous.  Going by that logic, Titanic wouldn't have won by a landslide back in '97.
    Not that it deserved to.  Good Will Hunting was better.  So was L.A. Confidential.  But at least Titanic winning wasn't a travesty, like Shakespeare in Love (good, but not great) defeating Saving Private Ryan in 1998.  Or American Beauty kicking the hell out of everything last year.
    American fucking Beauty. . .<sigh>  God, how I hate movies that talk down to me.  But I digress.
    Crouching Tiger, Hidden Dragon: certainly worthy of a nomination, but not a trophy.  But don't buy this whole martial arts flick label.  There's precious little fighting, but there is a considerable amount of over-the-top wirework.  It was so graceful and masterfully done, however, that it really didn't bother me.  Definitely worth a look if you haven't seen it yet.
    I do have to say that I don't see this whole weak field of film, either.  I enjoyed High Fidelity immensely, and I'm looking forward to seeing Almost Famous as well.  And this coming year has got some dandies in the works, including Final Fantasy: The Spirits Within (which will feature some absolutely amazing computer animation), The Mummy Returns (should be a lot of fun), The Fellowship of the Ring (it's about fucking time!), and Pearl Harbor (sporting an impressive cast and a production team responsible for some of the greatest movies of all time).
    But you know what?  Come next year, at about this same time, not a one of them will be seriously considered for an Oscar.  And not because they weren't ground-breaking, or weren't well-adapted, or didn't strike an emotional chord with the audience.
    They'll be denied because you enjoyed them.
 

Seno
2/15/01